Guitar Theory Studio
Scale

G# Whole-Half Diminished Scale

The G# whole-half diminished scale (also written Ab) — G# A# B C# D E F G — with its intervals, the chords it fits and every position on the guitar neck.

Also written Ab whole-half diminished. Ab and G# are the same pitch — G# is the spelling in common use.

G# Whole-Half Diminished Scale on the guitar fretboard13578910121415eBGDAEEFGG#A#BC#DEFGBC#DEFGG#A#BC#DGG#A#BC#DEFGG#A#DEFGG#A#BC#DEFA#BC#DEFGG#A#BEFGG#A#BC#DEFG

Tap any note on the neck.

Swipe the neck sideways to see the higher frets.

Notes
G#   A#   B   C#   D   E   F   G
Intervals
1   2   b3   4   b5   b6   6   7
Step pattern
W – H – W – H – W – H – W – H
Played over
G#dim7
Shape repeats every
3 frets
Open this in the fretboard tool →

G# whole-half diminished scale notes and intervals

G# whole-half diminished has 8 notes. Each is named by its distance from the root, which is the same in every key — learn the numbers once and every whole-half diminished scale reads the same.

G#
1
root
A#
2
major 2nd
B
b3
minor 3rd
C#
4
perfect 4th
D
b5
diminished 5th
E
b6
minor 6th
F
6
major 6th
G
7
major 7th

Step pattern from the root: W – H – W – H – W – H – W – H (W is a whole step, two frets; H is a half step, one fret).

Scales it shares notes with:

G# whole-half diminished scale positions on guitar — all 8

Three notes on every string gives G# whole-half diminished eight positions, one starting on each note of the scale, that together cover frets 0 to 15. The scale repeats itself every minor third, so the eight are only two shapes: positions 1, 3, 5 and 7 are one, 2, 4, 6 and 8 the other, and moving either one three frets up or down gives the same notes again. Learn the two and slide them.

Position 1 — frets 3–7

G# whole-half diminished scale, position 1, frets 3–72345678G#A#BC#DEFGG#A#BC#DEFGG#A#

Position 2 — frets 4–9

G# whole-half diminished scale, position 2, frets 4–9345678910A#BC#DEFGG#A#BC#DEFGG#A#B

Position 3 — frets 6–10

G# whole-half diminished scale, position 3, frets 6–10567891011BC#DEFGG#A#BC#DEFGG#A#BC#

Position 4 — frets 7–12

G# whole-half diminished scale, position 4, frets 7–12678910111213C#DEFGG#A#BC#DEFGG#A#BC#D

Position 5 — frets 9–13

G# whole-half diminished scale, position 5, frets 9–13891011121314DEFGG#A#BC#DEFGG#A#BC#DE

Position 6 — frets 10–15

G# whole-half diminished scale, position 6, frets 10–15910111213141516EFGG#A#BC#DEFGG#A#BC#DEF

Position 7 — frets 0–4

G# whole-half diminished scale, position 7, frets 0–4012345FGG#A#BC#DEFGG#A#BC#DEFG

Position 8 — frets 1–6

G# whole-half diminished scale, position 8, frets 1–601234567GG#A#BC#DEFGG#A#BC#DEFGG#

Chords to play G# whole-half diminished over

G# whole-half diminished is the scale for the diminished 7th chord G#dim7 (G# B D F). It puts a note a whole step above each chord tone (A# C# E G). A diminished 7th repeats every minor third, and so does the scale: the same eight notes fit the chord whichever of its four notes is in the bass.

Play the G#dim7 arpeggio inside the scale → The Practice Loop keeps only the chord’s notes in each position, so you hear what the rest of the scale is decorating.

How to practice the G# whole-half diminished scale

  1. Start with position 7 at frets 0–4, slowly, until every note lands on the click. The loop keeps the shape and the tempo for you.
  2. Slide the shape: position 1 is the same fingering 3 frets higher, and the same notes. Play one, then the other, and the move is the scale.
  3. Climb 4 notes at a time, two notes up each time: each group starts a minor third above the last, the same step the scale repeats by.
  4. Switch the same position to the G#dim7 arpeggio, the chord’s notes alone, then back to the scale.
  5. See every G# whole-half diminished note across the whole neck on the Fretboard, and find each box again an octave up.

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