Guitar Theory Studio
Scale

B Whole-Half Diminished Scale

The B whole-half diminished scale — B C# D E F G G# A# — with its intervals, the chords it fits and every position on the guitar neck.

B Whole-Half Diminished Scale on the guitar fretboard13578910121415eBGDAEEFGG#A#BC#DEFGBC#DEFGG#A#BC#DGG#A#BC#DEFGG#A#DEFGG#A#BC#DEFA#BC#DEFGG#A#BEFGG#A#BC#DEFG

Tap any note on the neck.

Swipe the neck sideways to see the higher frets.

Notes
B   C#   D   E   F   G   G#   A#
Intervals
1   2   b3   4   b5   b6   6   7
Step pattern
W – H – W – H – W – H – W – H
Played over
Bdim7
Shape repeats every
3 frets
Open this in the fretboard tool →

B whole-half diminished scale notes and intervals

B whole-half diminished has 8 notes. Each is named by its distance from the root, which is the same in every key — learn the numbers once and every whole-half diminished scale reads the same.

B
1
root
C#
2
major 2nd
D
b3
minor 3rd
E
4
perfect 4th
F
b5
diminished 5th
G
b6
minor 6th
G#
6
major 6th
A#
7
major 7th

Step pattern from the root: W – H – W – H – W – H – W – H (W is a whole step, two frets; H is a half step, one fret).

Scales it shares notes with:

B whole-half diminished scale positions on guitar — all 8

Three notes on every string gives B whole-half diminished eight positions, one starting on each note of the scale, that together cover frets 0 to 15. The scale repeats itself every minor third, so the eight are only two shapes: positions 1, 3, 5 and 7 are one, 2, 4, 6 and 8 the other, and moving either one three frets up or down gives the same notes again. Learn the two and slide them.

Position 1 — frets 6–10

B whole-half diminished scale, position 1, frets 6–10567891011BC#DEFGG#A#BC#DEFGG#A#BC#

Position 2 — frets 7–12

B whole-half diminished scale, position 2, frets 7–12678910111213C#DEFGG#A#BC#DEFGG#A#BC#D

Position 3 — frets 9–13

B whole-half diminished scale, position 3, frets 9–13891011121314DEFGG#A#BC#DEFGG#A#BC#DE

Position 4 — frets 10–15

B whole-half diminished scale, position 4, frets 10–15910111213141516EFGG#A#BC#DEFGG#A#BC#DEF

Position 5 — frets 0–4

B whole-half diminished scale, position 5, frets 0–4012345FGG#A#BC#DEFGG#A#BC#DEFG

Position 6 — frets 1–6

B whole-half diminished scale, position 6, frets 1–601234567GG#A#BC#DEFGG#A#BC#DEFGG#

Position 7 — frets 3–7

B whole-half diminished scale, position 7, frets 3–72345678G#A#BC#DEFGG#A#BC#DEFGG#A#

Position 8 — frets 4–9

B whole-half diminished scale, position 8, frets 4–9345678910A#BC#DEFGG#A#BC#DEFGG#A#B

Chords to play B whole-half diminished over

B whole-half diminished is the scale for the diminished 7th chord Bdim7 (B D F G#). It puts a note a whole step above each chord tone (C# E G A#). A diminished 7th repeats every minor third, and so does the scale: the same eight notes fit the chord whichever of its four notes is in the bass.

Play the Bdim7 arpeggio inside the scale → The Practice Loop keeps only the chord’s notes in each position, so you hear what the rest of the scale is decorating.

How to practice the B whole-half diminished scale

  1. Start with position 5 at frets 0–4, slowly, until every note lands on the click. The loop keeps the shape and the tempo for you.
  2. Slide the shape: position 7 is the same fingering 3 frets higher, and the same notes. Play one, then the other, and the move is the scale.
  3. Climb 4 notes at a time, two notes up each time: each group starts a minor third above the last, the same step the scale repeats by.
  4. Switch the same position to the Bdim7 arpeggio, the chord’s notes alone, then back to the scale.
  5. See every B whole-half diminished note across the whole neck on the Fretboard, and find each box again an octave up.

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