Guitar Theory Studio
Scale

Bb Whole-Half Diminished Scale

The Bb whole-half diminished scale (also written A#) — Bb C Db Eb E Gb G A — with its intervals, the chords it fits and every position on the guitar neck.

Also written A# whole-half diminished. A# and Bb are the same pitch — Bb is the spelling in common use.

Bb Whole-Half Diminished Scale on the guitar fretboard13578910121415eBGDAEEGbGABbCDbEbEGbGCDbEbEGbGABbCDbGABbCDbEbEGbGABbEbEGbGABbCDbEbEABbCDbEbEGbGABbCEGbGABbCDbEbEGbG

Tap any note on the neck.

Swipe the neck sideways to see the higher frets.

Notes
Bb   C   Db   Eb   E   Gb   G   A
Intervals
1   2   b3   4   b5   b6   6   7
Step pattern
W – H – W – H – W – H – W – H
Played over
Bbdim7
Shape repeats every
3 frets
Open this in the fretboard tool →

Bb whole-half diminished scale notes and intervals

Bb whole-half diminished has 8 notes. Each is named by its distance from the root, which is the same in every key — learn the numbers once and every whole-half diminished scale reads the same.

Bb
1
root
C
2
major 2nd
Db
b3
minor 3rd
Eb
4
perfect 4th
E
b5
diminished 5th
Gb
b6
minor 6th
G
6
major 6th
A
7
major 7th

Step pattern from the root: W – H – W – H – W – H – W – H (W is a whole step, two frets; H is a half step, one fret).

Scales it shares notes with:

Bb whole-half diminished scale positions on guitar — all 8

Three notes on every string gives Bb whole-half diminished eight positions, one starting on each note of the scale, that together cover frets 0 to 15. The scale repeats itself every minor third, so the eight are only two shapes: positions 1, 3, 5 and 7 are one, 2, 4, 6 and 8 the other, and moving either one three frets up or down gives the same notes again. Learn the two and slide them.

Position 1 — frets 5–9

Bb whole-half diminished scale, position 1, frets 5–945678910BbCDbEbEGbGABbCDbEbEGbGABbC

Position 2 — frets 6–11

Bb whole-half diminished scale, position 2, frets 6–1156789101112CDbEbEGbGABbCDbEbEGbGABbCDb

Position 3 — frets 8–12

Bb whole-half diminished scale, position 3, frets 8–1278910111213DbEbEGbGABbCDbEbEGbGABbCDbEb

Position 4 — frets 9–14

Bb whole-half diminished scale, position 4, frets 9–1489101112131415EbEGbGABbCDbEbEGbGABbCDbEbE

Position 5 — frets 11–15

Bb whole-half diminished scale, position 5, frets 11–1510111213141516EGbGABbCDbEbEGbGABbCDbEbEGb

Position 6 — frets 0–5

Bb whole-half diminished scale, position 6, frets 0–50123456GbGABbCDbEbEGbGABbCDbEbEGbG

Position 7 — frets 2–6

Bb whole-half diminished scale, position 7, frets 2–61234567GABbCDbEbEGbGABbCDbEbEGbGA

Position 8 — frets 3–8

Bb whole-half diminished scale, position 8, frets 3–823456789ABbCDbEbEGbGABbCDbEbEGbGABb

Chords to play Bb whole-half diminished over

Bb whole-half diminished is the scale for the diminished 7th chord Bbdim7 (Bb Db E G). It puts a note a whole step above each chord tone (C Eb Gb A). A diminished 7th repeats every minor third, and so does the scale: the same eight notes fit the chord whichever of its four notes is in the bass.

Play the Bbdim7 arpeggio inside the scale → The Practice Loop keeps only the chord’s notes in each position, so you hear what the rest of the scale is decorating.

How to practice the Bb whole-half diminished scale

  1. Start with position 6 at frets 0–5, slowly, until every note lands on the click. The loop keeps the shape and the tempo for you.
  2. Slide the shape: position 8 is the same fingering 3 frets higher, and the same notes. Play one, then the other, and the move is the scale.
  3. Climb 4 notes at a time, two notes up each time: each group starts a minor third above the last, the same step the scale repeats by.
  4. Switch the same position to the Bbdim7 arpeggio, the chord’s notes alone, then back to the scale.
  5. See every Bb whole-half diminished note across the whole neck on the Fretboard, and find each box again an octave up.

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