Guitar Theory Studio
Scale

Bb Major Scale

The Bb major scale (also written A#) — Bb C D Eb F G A — with its intervals, the chords it makes and every position on the guitar neck.

Also written A# major. A# and Bb are the same pitch, though spelling it from A# would need double accidentals (A# B# C## D# E# F## G##), which is why Bb is the name in use.

Bb Major Scale on the guitar fretboard13578910121415eBGDAEFGABbCDEbFGCDEbFGABbCDGABbCDEbFGABbDEbFGABbCDEbFABbCDEbFGABbCFGABbCDEbFG

Tap any note on the neck.

Swipe the neck sideways to see the higher frets.

Notes
Bb   C   D   Eb   F   G   A
Intervals
1   2   3   4   5   6   7
Step pattern
W – W – H – W – W – W – H
Chords in this key
Bb   Cm   Dm   Eb   F   Gm   Adim
Open this in the fretboard tool →

Bb major is Bb major pentatonic with the 4 and 7 added — Eb and A.

Bb major scale notes and intervals

Bb major has 7 notes. Each is named by its distance from the root, which is the same in every key — learn the numbers once and every major scale reads the same.

Bb
1
root
C
2
major 2nd
D
3
major 3rd
Eb
4
perfect 4th
F
5
perfect 5th
G
6
major 6th
A
7
major 7th

Step pattern from the root: W – W – H – W – W – W – H (W is a whole step, two frets; H is a half step, one fret).

Scales it shares notes with:

Bb major scale positions on guitar — all 7

Three notes on every string gives Bb major exactly seven positions — one starting on each note of the scale — that together cover frets 1 to 17. Position 5 sits lowest on the neck. Because each shape starts on a different note of the scale, each is also the natural fingering for one of its modes (below). Move any of them twelve frets and you have the same shape an octave up.

Position 1 — frets 6–11

Bb major scale, position 1, frets 6–1156789101112BbCDEbFGABbCDEbFGABbCDEb

Position 2 — frets 8–13

Bb major scale, position 2, frets 8–137891011121314CDEbFGABbCDEbFGABbCDEbF

Position 3 — frets 10–15

Bb major scale, position 3, frets 10–15910111213141516DEbFGABbCDEbFGABbCDEbFG

Position 4 — frets 11–17

Bb major scale, position 4, frets 11–17101112131415161718EbFGABbCDEbFGABbCDEbFGA

Position 5 — frets 1–6

Bb major scale, position 5, frets 1–601234567FGABbCDEbFGABbCDEbFGABb

Position 6 — frets 3–8

Bb major scale, position 6, frets 3–823456789GABbCDEbFGABbCDEbFGABbC

Position 7 — frets 5–10

Bb major scale, position 7, frets 5–104567891011ABbCDEbFGABbCDEbFGABbCD

The seven three-notes-per-string positions on their own page →

CAGED shapes in Bb major

The Bb chord in all five CAGED shapes, from the nut to the 15th fret. Each shape sits inside one stretch of the scale above, so learning the chord gives you the scale notes around it.

Chords in the key of Bb major

Stack the scale in thirds and every note becomes a chord. These seven are the chords of Bb major; the roman numerals under them are how players name the same chords in any key.

Bb
Bb chord shape3frBbDFBbDBb
I
Cm
Cm chord shape5frCEbGCGC
ii
Dm
Dm chord shape7frDFADAD
iii
Eb
Eb chord shape8frEbGBbEbGEb
IV
F
F chord shapeAFFACF
V
Gm
Gm chord shapeDGGBbDG
vi
Adim
Adim chord shape4frAEbACEbA
vii°

As seventh chords: Bbmaj7   Cm7   Dm7   Ebmaj7   F7   Gm7   Am7♭5. All the chords in Bb major, with shapes and numerals →

Modes of the Bb major scale

Start the same seven notes on a different degree, treat that note as home, and you have a mode. Each three-notes-per-string position above starts on one scale degree, so position 1 is the natural fingering for the first mode, position 2 for the second, and so on. The shape alone does not make the mode: with Bb as home, every one of these positions still sounds like Bb major. A position becomes its mode when its first note is the one you resolve to, over that note’s chord or a drone on it.

Common chord progressions in Bb major

Progressions are written as numbers so they transpose to any key. Here they are spelled out in Bb major, with songs that use them.

Pop Anthem (1–5–6m–4)
Bb F Gm Eb
Heard in Let It Be (verse), Don't Stop Believin', Someone Like You (chorus). Play it in Bb major →
Bb Eb F
Heard in Wild Thing, Twist and Shout, La Bamba. Play it in Bb major →
50s / Doo-Wop (1–6m–4–5)
Bb Gm Eb F
Heard in Stand By Me, Earth Angel, Blue Moon. Play it in Bb major →
Rhythm Changes Turnaround (1–6m–2m–5)
Bb Gm Cm F
Heard in I Got Rhythm, Heart and Soul (original), Sh-Boom. Play it in Bb major →

Soloing over Bb–F–Gm–Eb: Bb major works across all 4 chords, but not every note is an equally good place to stop on each one. Each chord has its own notes to land on: Bb is Bb–D–F, F is F–A–C, Gm is G–Bb–D, Eb is Eb–G–Bb. Aim for them as each chord arrives and the line follows the changes instead of just staying in key. Solo over Bb F Gm Eb in the Chord Builder → The neck lights each chord’s notes inside the scale and follows along when you press Play.

Bb major pentatonic

Leave out the 4 (Eb) and the 7 (A) and you have the five-note Bb major pentatonic — Bb C D F G — the scale under most country, rock and pop lead lines in Bb. The same five notes started from G are G minor pentatonic.

How to practice the Bb major scale

  1. Start with position 5 at frets 1–6, slowly, until every note lands on the click. The loop keeps the shape and the tempo for you.
  2. Add five beats a minute each time it feels easy. When straight runs get dull, play the same position in thirds — the pattern that turns a scale into lines.
  3. Hear Bb major harmonized in 3rds on the Fretboard: press Play and every note sounds with its partner while the neck lights up. Then switch Harmony to 6ths and play it again.

Put this fretboard on your own page

Teachers and bloggers: paste this and your readers get the diagram above, playable, on your page. Free to use, and the credit line links back here.