Guitar Theory Studio
Scale

C# Whole-Half Diminished Scale

The C# whole-half diminished scale (also written Db) — C# D# E F# G A A# C — with its intervals, the chords it fits and every position on the guitar neck.

Also written Db whole-half diminished. Db and C# are the same pitch — C# is the spelling in common use.

C# Whole-Half Diminished Scale on the guitar fretboard13578910121415eBGDAEEF#GAA#CC#D#EF#GCC#D#EF#GAA#CC#GAA#CC#D#EF#GAA#D#EF#GAA#CC#D#EAA#CC#D#EF#GAA#CEF#GAA#CC#D#EF#G

Tap any note on the neck.

Swipe the neck sideways to see the higher frets.

Notes
C#   D#   E   F#   G   A   A#   C
Intervals
1   2   b3   4   b5   b6   6   7
Step pattern
W – H – W – H – W – H – W – H
Played over
C#dim7
Shape repeats every
3 frets
Open this in the fretboard tool →

C# whole-half diminished scale notes and intervals

C# whole-half diminished has 8 notes. Each is named by its distance from the root, which is the same in every key — learn the numbers once and every whole-half diminished scale reads the same.

C#
1
root
D#
2
major 2nd
E
b3
minor 3rd
F#
4
perfect 4th
G
b5
diminished 5th
A
b6
minor 6th
A#
6
major 6th
C
7
major 7th

Step pattern from the root: W – H – W – H – W – H – W – H (W is a whole step, two frets; H is a half step, one fret).

Scales it shares notes with:

C# whole-half diminished scale positions on guitar — all 8

Three notes on every string gives C# whole-half diminished eight positions, one starting on each note of the scale, that together cover frets 0 to 15. The scale repeats itself every minor third, so the eight are only two shapes: positions 1, 3, 5 and 7 are one, 2, 4, 6 and 8 the other, and moving either one three frets up or down gives the same notes again. Learn the two and slide them.

Position 1 — frets 8–12

C# whole-half diminished scale, position 1, frets 8–1278910111213C#D#EF#GAA#CC#D#EF#GAA#CC#D#

Position 2 — frets 9–14

C# whole-half diminished scale, position 2, frets 9–1489101112131415D#EF#GAA#CC#D#EF#GAA#CC#D#E

Position 3 — frets 11–15

C# whole-half diminished scale, position 3, frets 11–1510111213141516EF#GAA#CC#D#EF#GAA#CC#D#EF#

Position 4 — frets 0–5

C# whole-half diminished scale, position 4, frets 0–50123456F#GAA#CC#D#EF#GAA#CC#D#EF#G

Position 5 — frets 2–6

C# whole-half diminished scale, position 5, frets 2–61234567GAA#CC#D#EF#GAA#CC#D#EF#GA

Position 6 — frets 3–8

C# whole-half diminished scale, position 6, frets 3–823456789AA#CC#D#EF#GAA#CC#D#EF#GAA#

Position 7 — frets 5–9

C# whole-half diminished scale, position 7, frets 5–945678910A#CC#D#EF#GAA#CC#D#EF#GAA#C

Position 8 — frets 6–11

C# whole-half diminished scale, position 8, frets 6–1156789101112CC#D#EF#GAA#CC#D#EF#GAA#CC#

Chords to play C# whole-half diminished over

C# whole-half diminished is the scale for the diminished 7th chord C#dim7 (C# E G A#). It puts a note a whole step above each chord tone (D# F# A C). A diminished 7th repeats every minor third, and so does the scale: the same eight notes fit the chord whichever of its four notes is in the bass.

Play the C#dim7 arpeggio inside the scale → The Practice Loop keeps only the chord’s notes in each position, so you hear what the rest of the scale is decorating.

How to practice the C# whole-half diminished scale

  1. Start with position 4 at frets 0–5, slowly, until every note lands on the click. The loop keeps the shape and the tempo for you.
  2. Slide the shape: position 6 is the same fingering 3 frets higher, and the same notes. Play one, then the other, and the move is the scale.
  3. Climb 4 notes at a time, two notes up each time: each group starts a minor third above the last, the same step the scale repeats by.
  4. Switch the same position to the C#dim7 arpeggio, the chord’s notes alone, then back to the scale.
  5. See every C# whole-half diminished note across the whole neck on the Fretboard, and find each box again an octave up.

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