Guitar Theory Studio
Scale

F# Half-Whole Diminished Scale

The F# half-whole diminished scale (also written Gb) — F# G A A# C C# D# E — with its intervals, the chords it fits and every position on the guitar neck.

Also written Gb half-whole diminished. Gb and F# are the same pitch — F# is the spelling in common use.

F# Half-Whole Diminished Scale on the guitar fretboard13578910121415eBGDAEEF#GAA#CC#D#EF#GCC#D#EF#GAA#CC#GAA#CC#D#EF#GAA#D#EF#GAA#CC#D#EAA#CC#D#EF#GAA#CEF#GAA#CC#D#EF#G

Tap any note on the neck.

Swipe the neck sideways to see the higher frets.

Notes
F#   G   A   A#   C   C#   D#   E
Intervals
1   b2   b3   3   #4   5   6   b7
Step pattern
H – W – H – W – H – W – H – W
Played over
F#7   A7   C7   D#7
Shape repeats every
3 frets
Open this in the fretboard tool →

F# half-whole diminished scale notes and intervals

F# half-whole diminished has 8 notes. Each is named by its distance from the root, which is the same in every key — learn the numbers once and every half-whole diminished scale reads the same.

F#
1
root
G
b2
minor 2nd
A
b3
minor 3rd
A#
3
major 3rd
C
#4
augmented 4th
C#
5
perfect 5th
D#
6
major 6th
E
b7
minor 7th

Step pattern from the root: H – W – H – W – H – W – H – W (W is a whole step, two frets; H is a half step, one fret).

Scales it shares notes with:

F# half-whole diminished scale positions on guitar — all 8

Three notes on every string gives F# half-whole diminished eight positions, one starting on each note of the scale, that together cover frets 0 to 15. The scale repeats itself every minor third, so the eight are only two shapes: positions 1, 3, 5 and 7 are one, 2, 4, 6 and 8 the other, and moving either one three frets up or down gives the same notes again. Learn the two and slide them.

Position 1 — frets 0–5

F# half-whole diminished scale, position 1, frets 0–50123456F#GAA#CC#D#EF#GAA#CC#D#EF#G

Position 2 — frets 2–6

F# half-whole diminished scale, position 2, frets 2–61234567GAA#CC#D#EF#GAA#CC#D#EF#GA

Position 3 — frets 3–8

F# half-whole diminished scale, position 3, frets 3–823456789AA#CC#D#EF#GAA#CC#D#EF#GAA#

Position 4 — frets 5–9

F# half-whole diminished scale, position 4, frets 5–945678910A#CC#D#EF#GAA#CC#D#EF#GAA#C

Position 5 — frets 6–11

F# half-whole diminished scale, position 5, frets 6–1156789101112CC#D#EF#GAA#CC#D#EF#GAA#CC#

Position 6 — frets 8–12

F# half-whole diminished scale, position 6, frets 8–1278910111213C#D#EF#GAA#CC#D#EF#GAA#CC#D#

Position 7 — frets 9–14

F# half-whole diminished scale, position 7, frets 9–1489101112131415D#EF#GAA#CC#D#EF#GAA#CC#D#E

Position 8 — frets 11–15

F# half-whole diminished scale, position 8, frets 11–1510111213141516EF#GAA#CC#D#EF#GAA#CC#D#EF#

Chords to play F# half-whole diminished over

F# half-whole diminished is the scale for F#7 with an altered 9th. It holds the whole F#7 chord (F# A# C# E) and adds the b9, #9, #11 and 13 (G A C D#), the tensions that make a dominant chord pull hard to the next one. Because the scale repeats every minor third, the same eight notes fit A7, C7 and D#7 just as well.

Play the F#7 arpeggio inside the scale → The Practice Loop keeps only the chord’s notes in each position, so you hear what the rest of the scale is decorating.

How to practice the F# half-whole diminished scale

  1. Start with position 1 at frets 0–5, slowly, until every note lands on the click. The loop keeps the shape and the tempo for you.
  2. Slide the shape: position 3 is the same fingering 3 frets higher, and the same notes. Play one, then the other, and the move is the scale.
  3. Climb 4 notes at a time, two notes up each time: each group starts a minor third above the last, the same step the scale repeats by.
  4. Switch the same position to the F#7 arpeggio, the chord’s notes alone, then back to the scale.
  5. See every F# half-whole diminished note across the whole neck on the Fretboard, and find each box again an octave up.

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